Symposium: Pronunciation Teaching in a Lingua Franca Context

Moscow, 24th Nov 2017: The globalisation of English has multiple implications for the teaching of the language, especially to those learners whose main use of English will be for international communication, often in the absence of native speakers. Nowhere are these implications more far-reaching than in the teaching of pronunciation. This symposium looks at the goals of pronunciation teaching in this new era, and at learner attitudes to new goals, and at classroom practices suited to achieving the new goals.

TESOL Italy 2017

Mark Hancock at TESOL Italy, Rome, Nov 17th 14:00

“Pronunciation: be a teacher not a preacher”

Pronunciation teaching can be fun, but in a world where English is a lingua franca, we need to take a flexible approach. We can’t simply preach a single ideal target model, instead, we must teach learners to be adaptable, both receptively and productively. In this session, I will demonstrate this.

The PronPack Tricycle

Presenting at the joint IATEFL PronSIG/GISIG event in London. Pronunciation teaching has neglected the ‘why’ wheel of the tricycle, leaving us with a default RP or GA model. Thanks to Laura Patsko for the photo.

The Art of the Chart

The PronPack Sound Chart 'Chart design is as much an art as a science'.
The PronPack Sound Chart ‘Chart design is as much an art as a science’.

Most teachers of English will have come across a sound chart at some point, but few realise how arbitrary they are. I do not mean ‘arbitrary’ in the negative sense of ‘with no good reason’, but rather in the sense that there are choices that the designer has had to make. At every stage in the creation of a chart, the author will have made decisions which could equally well have been otherwise. Phonetic facts interplay with pedagogic priorities and graphic limitations, and these forces do not always pull in the same direction, so that compromises are required. Chart design is as much an art as a science.

A chart is not objective reality, but one person’s model of reality. In this article, I will present a sound chart of my own creation and explain the rationale for the decisions I made when designing it. The full charts referred to below can be viewed here. Continue reading “The Art of the Chart”

From Pronunciation Games to PronPack

PronPack alongside Mark Hancock's first book - Pronunciation games
PronPack alongside Mark Hancock’s first book – Pronunciation games

Pronunciation Games (CUP 1995) was my first book, and it still sells today over two decades later. It’s a resource book for teachers, consisting of 36 photocopiable game pages along with step by step teaching notes. It proved to be immediately popular and won an award – the Frank Bell prize – shortly after publication. Nowadays, when I am out at ELT events, people often tell me how much they have been influenced by the book.

In the years since writing Pronunciation Games, I went on to write a wide variety of ELT books about pronunciation and other topics, but throughout that time, I have been reflecting on that first book: What was good about it? What were its shortcomings? What would I do differently today? The answer to these questions are what lie at the heart of my new series PronPack 1-4. Continue reading “From Pronunciation Games to PronPack”

The Sound of Silence

In my last class, a South Korean student told me about his weekend visit to Liverpool. He said it wasn’t easy to understand the local way of speaking, and gave the example of the question word What? He demonstrated how this word had been said, with the final ‘t’ replaced with a silence, or glottal stop, so it sounds like wha’? Continue reading “The Sound of Silence”